Madden noticed that many of the producers she knew were using Splice, a cloud-based music creation platform that sells “sample packs” - downloadable collections of vocal hooks, drum sounds, instrumental riffs and other sounds creators can use to build songs. These Major Producers Are Changing the Future For Women In the Studio Especially if you’re young and female, “the music industry chews you up and spits you out.” “I lost that fire along the way,” she recalls. She felt disrespected and has said that she was sexually assaulted by one of her collaborators. In EDM, male producers often have considerable power over female singers. And she got nowhere.Ī few years after college, Madden, who is now 28, was managing a Jersey Mike’s sandwich shop and making under $10,000 a year from music, singing on commercial sessions for My Little Pony and adding vocal toplines to EDM songs. After graduating in 2014, she moved to Los Angeles, sang on demos and took every co-writing session she could find. While studying for a music business degree at Belmont University in Nashville, she interned with the EDM booking agency AM Only, then for John Esposito, CEO of Warner Music Nashville. She studied singing with her mother, a voice teacher taught herself to use GarageBand learned to play the clarinet, piano and trombone and performed in school musicals as well as the marching band. But she worked toward pop stardom with a diligence that most other kids didn’t have. “When I was a little girl,” says Kara Madden, “I thought I could be bigger than Britney Spears.” This didn’t make Madden, who grew up on the New Jersey shore, unique - in the late 1990s, lots of girls had the same idea.
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